[Dave Anderson]

I found that I really preferred the short Yamaha mouthpiece over the Suzuki mouthpiece that came with the Suzuki m37c. I tried to order the very short MP141 mouthpiece from Suzuki, but was unable to get it from the US distributor.

[Dave Anderson]

Thanks. After playing around with the Yamaha p37e and Suzuki M37c, I decided to return both of them and stick with the Yamaha p37D for now. I like the tone and action of the Yamaha p37d better than all the other ones, especially when I am playing with a jazz combo. I agree that none of these seem to be tuned well coming out of the factory. I actually bought a 2nd Yamaha p37d to learn to tune these things. I spoke to a person who tunes accordions and he wanted $400 to tune the melodica. That motivated me to bite the bullet and learn to tune it. I’m starting to get the feel for it now. I find that using an electric engraver helps a lot and gives me more control when I shave the reed. Thanks again, Dave

[Dave Anderson]

Hello, I have a similar question. I’m new to Melodicaworld and relatively new to Melodicas.

I have a Yamaha p37D and p37E. I like the D for playing with jazz with other people and the E for softer playing by myself. Frankly, I am very bothered by the poor tuning of both instruments out of the box. I was hesitant to jump into tuning myself, but I am becoming resigned to the fact that I will have to learn how to do this tedious chore.

So I am intrigued by the Suzuki Pro37v3. The ad says that this one is “precision tuned” and I’m thinking that for $280 on Amazon, it must be on another level in terms of tone, action, and tuning. Or is that wishful thinking? I think Jon Batiste plays one of these (definitely a Suzuki, but he has stickers on his so you can’t tell the exact model.)

Any experience with this one would be most appreciated. I’m thinking of returning my P37E and getting the Suzuki, but am still in research mode. Thank for your help. This looks like a great site and thanks for Daren for all the great resources.

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