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  • #14828
    albalex
    Participant

    I used the Hohner Piano 36 for some recordings and it was splendid.
    The Professional 36 I think is better. I have now taken it to an accordion repairer for a nice general fix. I’ll start playing it next week.

    #14826
    albalex
    Participant

    For the moment I bought a Hohner Professional 36 let’s see how it will go later …. in the meantime thank you very much.

    #14814
    albalex
    Participant

    Thanks so much..

    #14796
    albalex
    Participant

    HI
    is your melodica for sale? A thousand thanks…

    #1789
    albalex
    Participant

    Hi Lowboy

    thank you very much for reporting ….

    #1786
    albalex
    Participant

    Hi all
    here is another craving …….

    #1779
    albalex
    Participant

    Hello Lowboy
    have to agree with you ….

    #1778
    albalex
    Participant

    Hello Lowboy
    you’re absolutely right. In fact, I prefer to put the microphone on the left side of the keyboard and the eighth to give more strength to the low-pitched sounds and turns a darker sound ….
    I also prefer a microphone for wind instruments, tweezers just because I put it at 1 cm from the keys + the compressor and the sound is more full.
    I’ve tried it with a SM57 but the distance penalizes the fullness of the sound …..
    forgive my english …..

    #1774
    albalex
    Participant

    For the sound I’m using a stereo compressor of DBX 266XS in order to have more presence in Live and trigger the gate to balance the microphone AKG for wind instrument…..

    #1771
    albalex
    Participant

    Hello Alan
    thanks to all of you who have made me passionate about this beautiful instrument …….
    thank you very much

    #1769
    albalex
    Participant

    Hello Lowboy
    is your advice to play to 2 feet from a wall is right but I meant how to change the sound already in the oral cavity even before it gets to vibrate the reeds of the melody.
    1) blow hot air (breathe ….) ….. This allows you to vibrate the reeds in the right height / intonation. The cold air instead is synonymous with velocity and so it might come out a sound forced.
    2) Create a “sounding board” in the mouth a bit as do the singers ….. we will have a darker sound and rich harmonics …….
    3) Think of singing the melody you are playing in order to facilitate our musical sensibility.

    #1768
    albalex
    Participant

    Hello
    Grazie….grazie e grazie!!!

    #1765
    albalex
    Participant

    hello
    this is my last job …… I hope will be appreciated.

    #1753
    albalex
    Participant

    Hello Kevin
    thank you very much ……
    in the second video I tilted the microphone in parallel to the lateral part of the melody. In fact, the sound is darker and full of harmonics ……
    These days will adjust Oblivion with a sound that is more akin to that of a Bandoneòn and is the sound that I like ….
    Pardon my English …..

    #1743
    albalex
    Participant

    Hello Lowboy
    you could send me the link of audio recordings because I’m curious about the sound you’re faceendo with the HM-36 ……
    thanks

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